Mostrando las entradas con la etiqueta day of the death. Mostrar todas las entradas
Mostrando las entradas con la etiqueta day of the death. Mostrar todas las entradas

lunes, octubre 10, 2011

TO SEE THE LIGHT/ PARA VER LA LUZ




AUTORS: Ytaelena Lopez, Bruno Lopez, Edmundo de Marchena and Martina Castro.

With the colaboration of Jeff Barhoum

Materials: Recycled pipes, balloons, canvas, LED lights and small sound system. (2011)

TO SEE THE LIGHT is a interactive open installation inspired by the concept of “illumination” as epiphany in two senses: as a spiritual revelation (inside to outside) and inspiration (outside to inside).

The people have the opportunity to interact with the space by writing down their enlightment experiences or epiphanies and sharing their wisdom in our “Espacio Sacro”.
We want to create a space that allows people to connect to their spiritual side and achieve their own enlightenment.


HOW TO INTERACT:

1- Try to answer one of the following question:

When did you see the light? When it was your latest AHA moment? What did you learn?
When it was the last time that someone change your mind about something important?
¿Cuándo vistes la luz? ¿Qué aprendistes?

2- Take one of the tags and write your answer.

3- Go inside the space
Listen to the voice...
Find your Light...
Contemplate...
Take your time...

4- Hang your tag inside if you like.

5- Leave in PEACE, the LIGHT is already inside you.

viernes, octubre 15, 2010

TRAPPED: An exploration into the dark bowels of mother Earth

A collaborative piece by “Los Hermanos” (Ytaelena & Bruno Lopez)
2010

Recycled wood, soil, compost, plants, black light, sound system and Ytaelena’ sculture (cell scan pictures, acrylic, fluorescent paint, resin).

This piece is already in exhibition at SOMARTS Gallery



TRAPPED is an interactive installation inspired by oil spills in the Gulf of Mexico and the earthquake in Chile. The installation recreates a cave or cavern, from which you can hear a voice asking for help. The public is attracted to those weak calls and enters the cave, which narrows into a small hole where only only arm can get it. The installation is dark except for a halo of light at the end, emanating from the Earth cells (pictured in a sculpture made especially for this installation). The subtle smell of fresh compost reflects what could be the smell of Mother Earth ... or the decomposition of organic matter. When the person inserts his arm into the hole, he discovers another hand waiting, but immersed in a mixture of soil and compost. (Inglés)

TRAPPED es una instalación interactiva inspirada en los derrames petroleros en el Golfo de México y en el terremoto de Chile. La instalación recrea una gruta o caverna desde donde salen llamadas de auxilio. El público es atraído por esas débiles llamadas y entra dentro de la gruta que se estrecha hasta convertirse en un pequeño hueco donde sólo cabe el brazo. La instalación se encuentra totalmente a oscuras, excepto por un halo de luz al final que emana de las células de la tierra (en una escultura hecha especialmente para esta instalación). Un sutil olor a abono fresco refleja lo que pudiera ser el olor de la Madre Tierra... o el de la descomposición de la materia orgánica. Cuando introduce su brazo en el hueco descubre otra mano esperándo, pero sumergida en una mezcla de tierra y abono. (Español)


Trapped
Cargado originalmente por alrevez

Ytaelena Lopez



WHO WE ARE?

Ytaelena Lopez

You know me, this is my blog. But if yo still want to know more, please check ytaelena.com

Bruno Lopez

My name is Bruno Lopez, I am an architect and artist from Caracas, Venezuela. Now, I am living in Oakland and working in San Francisco.

Though my art, I am trying to balance public art and public spaces through newly-empowered cultural groups. My approach to this aspect is the representation of the space we inhabit, creating a dynamic and unique model that may redefine how we perceive public space.

What I am trying to create are images and objects that reflect a mix of elements and functions, analyzing news circuits, transportation, energy exchange and urban sustainable power, prioritizing the network that make us identify with the city as living structures.

I exhibited in Caracas (Venezuela), In Sao Paulo (Brazil) and in Oakland (CA). This is my second time in Somarts.